At 6/9/10 07:53 AM, Bahamut wrote:
It's miles better. I can't even understand why people are comparing this album cover to them. Sure, you may not like the modern feel it has but going as far as putting it down at the bottom with The X Factor and Dance of Death? That's rather extreme.
Yeah, I'm kinda warming up to it now.
I still don't like it as a piece of artwork, especially how that even though Eddie's really big, he looks like he's tucked away in the background.
Far be it from me to look too much into things, but I think it's symbolic. I mean, Eddie's been everything; a Pharaoh, a Cyborg, the Grim Reaper, a Pilot, etc. But everything he's been has sort of been familiar and terrestrial. You can recognise what he is each time, and you can recognise it as Eddie. The Final Frontier might be the first Iron Maiden album cover in which Eddie is almost completely unrecognisable. He's a giant, grotesque monster with a bunch of dead aliens in the foreground, gripping what looks like the ship's power source. It's nothing like they've ever done before. To me, it represents the new heights to which Maiden are taking their music. They want it to be an album for 2010; fresh, yet it still has that trademark Iron Maiden style.
Or, I could be completely wrong. Maybe they wanted to have some fun and they thought giant aliens are just cool.
In other news, I got myself Beneath the Massacre's EP and their album Dystopia. I wouldn't recommend them. I checked them out last year and thought they were pretty good, but I don't know what I was thinking. They'd be okay-ish, if not for the breakdowns. The breakdowns that take up at least half of every song.
I think Deathcore is a somewhat derivative genre in general. It tries to take all elements of Death Metal and Metalcore and combine them, instead of just the best bits.