At 12/14/19 01:56 AM, Catpocalypse wrote:Initial wall of text
Riot's 70's output is a bit iffy for me, I mean, I like hardrocky metal, but their output from then sounds too... american, so to speak. It's got that feel good dumb american post hippie 70's vibe that puts me off for the most part, I mean to be frank off the debut and Narita the only songs that save em for me are the excellent Warrior, Overdrive, Narita, and probably Road Racin'. Fire Down Under however, really sheds the bullshit, plus the production job was the best out of the Speranza period, beautifully overdriven guitars in that one. Not to fond of the Forester era but welp, you're not missing much IMO. Of course I'm pretty sure you've noticed, they hit their stride with Thundersteel and the following record. Speaking of white collar uspm, please do check out Heir Apparent. I'm very fond of their first record and even though the singer they got afterwards was better technically speaking, the first one has better moments, in songs such as Keeper of the Reign. Attacker's pretty decent for the first two records, but I'm sure you've noticed the weird vocals, I'd say get used to weird vocals because you're gonna keep digging up bands with strange vocalists. Speaking of weird vocals, I'm sure you might've seen the post but I've got to reiterate, Manilla Road is worth a listen. Once they start heading into heavier territory after Metal, they straddle the line between blue and white collar USPM, mostly due to the fact that Mark Shelton (RIP) was a well read individual, whose lyrical subjects concern much of mythology, and the atmosphere the Road brought with their albums is of notice. Never been too fond of Virgin Steele and Jack Starr's stuff, but from speaking with friends, they actually hit their stride around the 90's(!!) with that double album they did. As for Jag Panzer, eh, don't sweat it, took me awhile to get into Ample Destruction when I first got it. It DID grow onto me though, my tip is to treat the first two songs as a Harry Conklin performance, since basically he's ruling the roost here musically speaking, and the first two tunes are a little pedestrian riffwise, except it picks up on Warfare by the solo. Once Symphony of Terror starts, you're good. Chastain is mostly good, except sometimes I wish he'd play faster songs, tempowise.
I can't say you might super dig the following NWOBHM bands, but I believe every power metal dude should listen to some filth on the other side of the spectrum. If you can't tolerate Venom at all, then I can at least recommend Blood Money. They're like Venom, if they only played fast songs, did lines of coke before playing, and had an actual singer. Both their releases are decent, though Red Raw and Bleeding is the shorter, more concise record. Battlescarred is also good but the longer songs wear thin due to the fact that they're a little monotonous, the good songs are an improvement over what they did in RRaB, those are the title track, Wolfboat, and Caligula off the top of my head. Trojan also comes to mind, though they're a lot less monotonous. Excellent speed metal on their only record, but the production might grate your ears, sounds like someone cranked an old fender amp and decided to put an overdrive on top of the already brittle tone, sounds hot as shit on the leads though. The next incarnation of that band was called Talion, and eh, not as good, but still worth a listen. To be honest, what makes the filthier side of NWOBHM appealing is mostly the energy and absolute I don't give a fuck attitude borrowed from punk. You can see it in Jaguar's Axe Crazy a lot, Peppard hides his leads through a wall of reverb, if you listen closely, you'll find out he's... uh, not that good. Still, that raw attitude is what makes it so addicting, check out their debut, Power Games. Searing rhythm tone like Savage's Let it Loose, basically Venom but cleaner. Avoid the sophomore, it's AOR trash. Grim Reaper to be honest, gets better in each successive album, See you in Hell is the standout in the first record along with Dead on Arrival, but they shoot their load too damn early. Fear no Evil and Rock you to Hell go in a little harder. Getting off my main point here, grit and filth is important, you gotta remember, this is still heavy metal, spawn of the death fuzz and doom saying of Sabbath and the pounding sounds and urgent speed of Priest. You can polish a broadsword but it's still going to be used to hack motherfuckers to bits.