At 12/9/11 11:52 PM, Tobi wrote:
I find I seem to usually like an era/album of a band that most people dislike. People seem to dislike Mike DiSalvo era Cryptopsy, but I think its their best output. DiSlavo, way I see it, is a perfect example of being able to put brutal and core in the same sentence. I could be kinda biased, seeing as I never like Lord Worm as a vocalist (but he's one of the best lyricists ever). People also seem to hate Blaze Bayley era Iron Maiden, but I think they put out some really good material out with him (Clansman, Futureal, etc). People tend to isolate In the Absence of Truth from the Isis discography, but I like it the most. I think it has the most variety of any of their albums, not to mention some really good electronic moments. I needn't remind you guys of Chameleon by Helloween, but Bahamut will probably agree with me on this release.
Cryptopsy's original line-up was praised as one the best death metal line-up to ever exist. Lord Worm's vocals were brutal, chaotic, unique. People seemed to enjoy his work a lot. And what happens when the vocalist of a band is one of the greatest appeal of the music and he decides to leave? Well... happens what happenned with Cryptopsy. Plus, their sound was very different. During DiSlavo's era their music became more heavy, but less chaotic, generaly slower and not as ear-shattering, and less focused on the fast and high (high as in high notes... I can't translate that properly) lead as in their work with Lord Worm. So if it would have been just Lord Worm leaving, I could have still liked their music, but it wasn't JUST that.
The example of Iron Maiden is good though. But if you do not focus too much on Dickinson's fanboys and fangirls and actually look into the metal community to know who liked the album and who didn't you might find a different portrait of the situation. You and I both know what diehard Maiden fans are like and how their fanbase isn't composed of metalheads only.
You know that these fans are stubborn, hypocritical and won't be able to appreciate anything that wasn't written and performed by both Dickinson and Steve Harris. To me, this is exactly like if Fall Out Boy would kick Pete Wentz (the emo bassist) out of the band. Fanboys and fangirls would just diss anything they would release afterward...
In my opinion, Blaze Bayley's work is not quite on par with Dickinson's vocals. And to give at least a little credit to those who criticized him, it's true that the comparison was innevitable. Maybe we are just used to Dickinson's vocals and we can't imagine Iron Maiden sounding any different. Yes, Maiden's uniqueness doesn't reside only in Dickinson's vocals, but even if the rest of the band was exactly the same, without his voice, it's just not the same. But to be completely fair with the band, what they released with Bayley was far from garbage and it's definitely still listennable.
As for ISIS, I really don't know what to answer. I love In The Absence Of Thruth myself. It's a great album and I think I'm not familiar enough with their fanbase to know what from their discography is cool and what isn't.
And about Helloween, I don't like Chameleon, but you could say that it's for a bad reason. I feel that most of their discography is composed of joke albums they knew they would sell no matter what, because they had already established their awesomness among metalheads. I find this to be kind of insulting.
If you are going to move away from your most epic sound and leave all the glorious journey's and fantasy world... that's fine. But it just seems like they are just trolling everybody with their work like Rabbit Don't Come Easy and Pink Bubbles Go Ape. Chameleon is not as bad as these two, of course but they still sound kind of silly on the record even if the track names are not as ridiculous.
Also, I fucking cringe at people who actually think Illud Divinum Insanus is techno/dance music. These probably throw hissy fits when people call metal screamo.
Dunno about that :O
At 12/10/11 10:29 AM, Tobi wrote:
At 12/10/11 10:06 AM, escobargames wrote:
I feel like I am being ignored, maybe hell just wasn't meant for me.
Participate and/or start new conversations perhaps?
I don't know why you haven't been adressed by a Horseman, so I guess I will (Though I can't actually initiate you.
Quit stealing our jobs >:(
At 12/9/11 02:38 PM, escobargames wrote:
At 12/6/11 12:37 PM, Bahamut wrote:
I don't think you've been asked to make an application for the Metal Hell. List ten metal bands you know and one of the horsemen will decide whether you fit the Hell or not.
1. Vesania
Symphonic Black Metal? Ok !
2. King Conquer
Deathcore it seems. Nope.
3. Cynic
Awesome :)
4. Tesseract
I really don't know what to say about these Djent bands, They have some mathcore elements, some prog metal elements. I'd say they make the cut. But these aren't the most discussed bands in the Hell.
5. Animals as Leaders
Prog Metal, yes.
6. Forever Orion
I really don't know about them. Who are they?
7. Tool
Progressive Rock bands. Not a bad band, just not what we are looking for.
8. Bulb
I read on Last.fm that they are a Djent band, their band's picture is fucking epic :P Like Tesseract... I can't say I'm too sure about these...
9. Poison the well
Post-Hardcore. Doesn't make the cut.
10. Entities
Djent again.
See, if you would have listed only one Djent band, I really wouldn't care. But it makes up almost the third of your list. So I will ask you to try and find some more bands to replace the Djent bands. Also, Deathcore and Rock doesn't count also.
So you have, like Tobi said, to list 7 more bands, but avoid all "core" genres, rock and djent when you do your selection.
Subterranean Masquerade - Wolf Among Sheep (Or Maybe the Other Way Around?)