At 7/29/07 02:00 AM, Kuro wrote:
They're basically the only anime films on at the film festival this year.
We have four "indie, foreign and art" film series a year (with 13 films per series) on this island, and the only anime film screened here in the past three years was the first Naruto movie, and that was just some Viz Media promo tour shit.
But that's probably just because I had only heard a vague amount of what both were about, and dream terrorists sounds more intruguing than street urchins.
Well, obviously.
I must get around to seeing both films, though, since they look totally fucking amazing.
Possibly the best film I've seen all year, though it does seem to have quite mixed reviews.
Fuck critics, if you liked it, that's all that matters.
I have a love-hate relationship with the critical majority. When we agree, we're like fucking hivemind, when we disagree, we really fucking disagree.
Noticed that with just about every critic I follow (Roger Ebert, various DVD Verdict critics and the guys at Anime Jump). Some of their favorites would easily make my worst list, and some of the shit that makes their worst lists is counted among my favorites (or at very least, with things like Mad Bull 34, a guilty pleasure). At the same time, with things that are undeniably art (Pulp Fiction, Cowboy Bebop, etc.) or cult classics (Black Jack, name any underrated J-horror, obscure comedies), I find myself agreeing wholeheartedly with the five-star reviews.
I guess I'm too forgiving of "shit on an artistic scale, but fun to watch" motion pictures and TV series and too harsh on the "psuedo-intellectual Freudian mindfucks" that the critical press with PhDs or on the internet seems to dig.
The only critic I can say I've never, ever disagreed with is Charles Solomon. Chances are that's because he massacred Elfen Lied and praised Ranma 1/2.