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Discouraged Artists’ Support Group

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Response to Discouraged Artists’ Support Group 2025-05-29 06:07:53


At 5/29/25 12:07 AM, EudaemonArts wrote:
At 9/6/23 08:32 AM, Thetageist wrote:Hello!

I was seeing a lot of threads in this forum related to losing motivation, impostor syndrome, and feeling like you’re not enough as an artist. Considering that a lot of the original posters struggled with the same emotions, I wanted to create one place where all the artists who are struggling can talk to each other and see that they’re not alone in their problems, and the others who have come out the other side of those problems can offer advice to every artist, rather than repeating themselves across different threads.

So please, feel free to vent or to share your experiences and advice. You never know who’s going to need it.

I’m not discouraged myself since typically putting more effort in gives me enough encouragement to continue illustrating. I will admit though I can sometimes feel intimidated by other artists since I do traditional and not digital, and hence I also don’t always have the time to ink and colour. I feel very confident in my style and anatomy but I also do feel my art lack 3D depth and doesn’t look clean enough to be presented or sold as a result of the use of solely a pencil currently. I’m currently planning on a piece that I can finally sit down and ink and colour and perhaps then I’ll feel like I might not be hit with the ‘DeviantArt quality’ perception and have my skills and the effort I put into a consistent style be recognised better. I’ve learned to put less pressure on myself to make money off of art and that I don’t need to be some legendary and perfect artist at such a young age, though I’ve learned to balance enjoying art and working hard - hence my greater output of consistent quality. I’ll likely create my own post thread when I make it - I’m going to give it my all into being my best art piece so fingers crossed! 🤞

I would very much love to engage and socialise with some other artists here - this is the closest to a general discussion hub I could find so I hope to hear back from some people :)

note: i just realised that being intimidated and being discouraged were the same thing. i did not english in this post lmao


I think your traditional arts really charming! It's got just as much merit i think


Supreme euphoria

BBS Signature

I’m slowly gaining more motivation to practice drawing again. I think just simply letting go of my desire for perfection is bringing back that motivation. I realized what pushed me to make art in the first place and that was to simply bring my imagination to life because it was fun!


I still wanna get to a point where I can make a living off of art but I absolutely won’t achieve that if I constantly ruminate so intensely on my fuck ups. It is just as important to recognize what you are doing right and what you enjoy about making art.


Be proud of what your imagination is capable of bringing to the table!

Response to Discouraged Artists’ Support Group 2025-06-01 13:20:23


I’ve been loosing faith in myself as an artist right now, I struggle with hand tremors that make my lines terrible and every time I try to improve it’s only slightly. I’ve already had a lack of motivation recently and seeing me struggle with practicing just makes it worse. At this rate I just feel defeated

Response to Discouraged Artists’ Support Group 2025-06-01 21:00:22


At 6/1/25 01:20 PM, SpicyShark wrote:I’ve been loosing faith in myself as an artist right now, I struggle with hand tremors that make my lines terrible and every time I try to improve it’s only slightly. I’ve already had a lack of motivation recently and seeing me struggle with practicing just makes it worse. At this rate I just feel defeated


I'm giving my opinion since I still struggle with hand tremors to this day. Admittedly, there are things that cannot be changed with effort alone. Not only do we have to account for the means, the knowledge, and the practice required to execute any task: we also need to understand our limits and have the will to work around them (or at least try to push those limits as far as we can). The imagination is (and always will be) at odds with reality, so we have to make do with what we have and put in the work in order to bring ideas to life.


Consider that in martial arts, any developing martial artist has to train their whole body and push its limits in order to gain proper form. When I was younger and did taekwondo, I had to stretch my legs every day so I could do split kicks. Not everyone is flexible off the bat, so I had to consistently push my limits to do full splits because there was no other way around it. I did this because if I didn't, I wouldn't earn my belts. This is why discipline, perseverance, and self-control are core values of the art.


Drawing is not as restrictive as doing martial arts. There are many approaches to drawing that can yield all sorts of different outcomes. In order to develop your drawing skills, you have to find a method that works for you, but you can only do that by continuing to draw new subjects and studying other artists you wish to pursue. If you draw the same thing over and over again, you will not learn anything new. You will be going through what you already know and essentially learn nothing. You have to keep pushing. Find a new subject to draw. Draw an abstract pattern. Draw silhouettes. Draw animals. Draw inanimate objects. Draw something without even using your eyes (it apparently develops spatial awareness and improves motor skills). If you don't know what to pursue, then look outward. Look at art to get ideas. Use the forums. Find resources. Go to live drawing sessions. Take risks. What matters is that you find the will to at least put the work in if you want to achieve something, even when things get rough. No pain, no gain. With drawing, you have little to lose besides your time at least. If you aren't willing to put up with it, then you just have to accept there's no other way forward and that your energy might be better spent doing something else because doing something about it is better than feeling stuck and doing nothing.


Response to Discouraged Artists’ Support Group 2025-06-01 21:02:30


pixel art is arranging squares on a grid. I usually just use a mouse. tremors cant stop you from making clean lines in pixel art.


advocatus diaboli

Illustration | Animation

BBS Signature

Response to Discouraged Artists’ Support Group 2025-06-01 21:21:00


At 6/1/25 09:00 PM, pinmoBOT wrote:
At 6/1/25 01:20 PM, SpicyShark wrote:I’ve been loosing faith in myself as an artist right now, I struggle with hand tremors that make my lines terrible and every time I try to improve it’s only slightly. I’ve already had a lack of motivation recently and seeing me struggle with practicing just makes it worse. At this rate I just feel defeated

I'm giving my opinion since I still struggle with hand tremors to this day. Admittedly, there are things that cannot be changed with effort alone. Not only do we have to account for the means, the knowledge, and the practice required to execute any task: we also need to understand our limits and have the will to work around them (or at least try to push those limits as far as we can). The imagination is (and always will be) at odds with reality, so we have to make do with what we have and put in the work in order to bring ideas to life.

Consider that in martial arts, any developing martial artist has to train their whole body and push its limits in order to gain proper form. When I was younger and did taekwondo, I had to stretch my legs every day so I could do split kicks. Not everyone is flexible off the bat, so I had to consistently push my limits to do full splits because there was no other way around it. I did this because if I didn't, I wouldn't earn my belts. This is why discipline, perseverance, and self-control are core values of the art.

Drawing is not as restrictive as doing martial arts. There are many approaches to drawing that can yield all sorts of different outcomes. In order to develop your drawing skills, you have to find a method that works for you, but you can only do that by continuing to draw new subjects and studying other artists you wish to pursue. If you draw the same thing over and over again, you will not learn anything new. You will be going through what you already know and essentially learn nothing. You have to keep pushing. Find a new subject to draw. Draw an abstract pattern. Draw silhouettes. Draw animals. Draw inanimate objects. Draw something without even using your eyes (it apparently develops spatial awareness and improves motor skills). If you don't know what to pursue, then look outward. Look at art to get ideas. Use the forums. Find resources. Go to live drawing sessions. Take risks. What matters is that you find the will to at least put the work in if you want to achieve something, even when things get rough. No pain, no gain. With drawing, you have little to lose besides your time at least. If you aren't willing to put up with it, then you just have to accept there's no other way forward and that your energy might be better spent doing something else because doing something about it is better than feeling stuck and doing nothing.


Thank you for this, my feelings about improving my art went off like a ticking time bomb today, I feel better now but still, thank you

Response to Discouraged Artists’ Support Group 2025-06-02 12:21:54


At 6/1/25 11:43 AM, VioletGJ wrote:I’m slowly gaining more motivation to practice drawing again. I think just simply letting go of my desire for perfection is bringing back that motivation. I realized what pushed me to make art in the first place and that was to simply bring my imagination to life because it was fun!

I still wanna get to a point where I can make a living off of art but I absolutely won’t achieve that if I constantly ruminate so intensely on my fuck ups. It is just as important to recognize what you are doing right and what you enjoy about making art.

Be proud of what your imagination is capable of bringing to the table!


Really good to hear that! I know you've been struggling with a lot lately, so having this kind of breakthrough about art where you can stress yourself out less about it is awesome.


Someone please help me revive my clubs

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Response to Discouraged Artists’ Support Group 2025-06-02 12:24:33


At 5/29/25 05:24 AM, LilFangs wrote:Hope it's okay to butt in, I just feel like I'm stagnating and like art maybe isn't for me? I've been drawing since I was 14 and sure I've improved in those years but it feels like it's not enough? Honestly I don't know if my art is even good at this point, I love to make art but it's like i'm too much of an perfectionist to even enjoy it to the fullest?


To help you figure out the problem: what are you more concerned about, skill/tiny mistakes or making your art look as "good" as other people's is to you?


Someone please help me revive my clubs

BBS Signature

Response to Discouraged Artists’ Support Group 2025-06-02 12:26:41


At 5/28/25 01:07 PM, sleepytart wrote:I feel llike im stagnating a bit art wise and my art hasnt been getting much in the way of views anymore. I know I shouldn't do it for views or people liking it or anything like that but its hard not to think that way sometimes you know?


Wanting attention and recognition is human, but focusing on the numbers alone can paint you a warped picture of your art. I hope you keep interacting in the Art Forum and making friends - over time, through finding a community, I think the desire to be seen by as many randos as possible will be overtaken by appreciation of people who deeply care about you and your work.


Someone please help me revive my clubs

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Response to Discouraged Artists’ Support Group 2025-06-02 12:31:55


At 5/27/25 08:56 AM, ShadenLines wrote:
At 5/26/25 11:55 PM, ColinsCreations wrote:
Actually, there are a lot of artists who started later in life. Sure, not all of them became rich, but they earned enough to live comfortably.

In my case it would be "restarted"...I was productive & dedicated throughout my twenties & thirties despite not always being in a perfect place to work. Even got paid here & there.


If you're worried about losing your passion with art and becoming some kind of human art machine that makes the same thing over and over, I'd say to keep looking for inspiration and art challenges everywhere. Experiment and imitate everything you see to find things to learn from them. That way, you'll always be adding to your work and taking it in new directions.


Someone please help me revive my clubs

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Response to Discouraged Artists’ Support Group 2025-06-02 12:36:28


At 5/20/25 08:00 AM, irkomatose wrote:
At 5/20/25 12:37 AM, pinmoBOT wrote:I made the post in response to your most recent work; the last 5 pieces uploaded to the art section. It is worth mentioning that I am not familiar with Pikmin so that might have been lost on me, which isn’t your fault. Keep cataloguing stuff and adding to the mix. Create mood boards. Cultivate an aesthetic. If one is cooking but doesn’t know what to make, then they find a recipe to follow so they can try it out. I used to watch my friends draw and I would learn many things about their process. I had a close friend of mine who would draw with a pen straight onto paper without sketching anything. I saw him gesture the motions he would make and rehearse what he would do before drawing lines. He would focus on picturing what he saw on the page while exceeding caution around overlapping areas, etc. It was very different to my own method, which was very blobby and messy. He and I made joke doodles in which we tried to imitate each other and in the process we learned new ways to approach doing work. Perhaps it could be of benefit to find other artists with overlapping interests who stream on occasion which you could observe and learn new methods from, or even better, find a group of friends and make something like a drawpile where you can doodle with low stakes and draw over each others work. That was real fun to me and I learned a lot when doing that. There are many artists out there on Newgrounds. See what you can find and learn from your favorite chefs. It also can’t hurt to ask questions when they come up. A teacher once told me long ago “If you ever feel dumb for asking questions, you’ll feel even dumber not knowing the answer to anything” so have at it. Remember though: be mindful and be reasonable. I know this is a lot, but I I want you to have courage, keep your head high, and when you can, get cooking.

thank you so much !!! I'll try that, sometimes i do silly drawpiles with my friends but they do make me a little anxious drawing live where everyone can see my mistakes. but i will try to fight that.
thank you so much i really don't know what to say.


(Yoooooo hello it's good to see you again!)


Someone please help me revive my clubs

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Response to Discouraged Artists’ Support Group 2025-06-02 12:54:56


At 6/2/25 12:24 PM, Thetageist wrote:
At 5/29/25 05:24 AM, LilFangs wrote:Hope it's okay to butt in, I just feel like I'm stagnating and like art maybe isn't for me? I've been drawing since I was 14 and sure I've improved in those years but it feels like it's not enough? Honestly I don't know if my art is even good at this point, I love to make art but it's like i'm too much of an perfectionist to even enjoy it to the fullest?

To help you figure out the problem: what are you more concerned about, skill/tiny mistakes or making your art look as "good" as other people's is to you?


both perhaps?

Response to Discouraged Artists’ Support Group 2025-06-02 13:18:00


At 4/22/25 06:56 PM, majinkomori wrote:
At 9/6/23 08:32 AM, Thetageist wrote:Hello!

I was seeing a lot of threads in this forum related to losing motivation, impostor syndrome, and feeling like you’re not enough as an artist. Considering that a lot of the original posters struggled with the same emotions, I wanted to create one place where all the artists who are struggling can talk to each other and see that they’re not alone in their problems, and the others who have come out the other side of those problems can offer advice to every artist, rather than repeating themselves across different threads.

So please, feel free to vent or to share your experiences and advice. You never know who’s going to need it.

The biggest issue plaguing me is a lack of interest/motivation to finish an art piece. I find myself tending to primarily do small doodles rather than the full illustrations I used to be able to do on my phone with ibis Paint. Part of it is that I am comparing myself to my inspirations and thinking that I'm not able to reach where they're at with my current skill level, but another part of it is ADHD not letting me stay focused on one thing for too long. I tend to work on one thing, then get an idea for another, and abandon the original idea in favor of this new one, and vice versa. Not something I'm particularly proud of, and it's something I wish I could get better about.


I hear you. I've been in a similar spot before with the ADHD thing.


What I like to do is break down my big artworks into steps, so that I can work on them and make progress in chunks of time. Does that sound like it might help?


Someone please help me revive my clubs

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Response to Discouraged Artists’ Support Group 2025-06-02 13:46:19


At 6/2/25 12:54 PM, LilFangs wrote:
At 6/2/25 12:24 PM, Thetageist wrote:
At 5/29/25 05:24 AM, LilFangs wrote:Hope it's okay to butt in, I just feel like I'm stagnating and like art maybe isn't for me? I've been drawing since I was 14 and sure I've improved in those years but it feels like it's not enough? Honestly I don't know if my art is even good at this point, I love to make art but it's like i'm too much of an perfectionist to even enjoy it to the fullest?

To help you figure out the problem: what are you more concerned about, skill/tiny mistakes or making your art look as "good" as other people's is to you?

both perhaps?


Im not sure how much it'll mean to you but for whatever it's worth I think your art is really good!


Supreme euphoria

BBS Signature

Response to Discouraged Artists’ Support Group 2025-06-02 14:06:49


At 4/5/25 06:46 PM, TinFoi wrote:Not sure if anyone would respond to this, someone might since I just bumped this one up.

My problem with doing art is sharing it in general. All the sites but this one are just horrible for posting art on, but that's the least of my worries for right now, it's when I actually show it in person, because either they would judge harshly, give fake praises, or destroy it.

I have it with all three, especially with my parents before, I have this old art piece that one of my parents tried talking to me about (which doesn't make sense since they already went through the book, they must've saw that), but before I could get to laying down my argument, they crushed it and were about to toss it in the garbage..

And people wonder why I don't share what I make anymore.


That sounds traumatic. I can't give much advice on it, considering I share art more impulsively than willfully, but I hope other people are giving you something to help. 🫂


I don't like showing my art to my parents either because they've made fun of me for my interests before. I like having a community of nerds online who understand me, though.


Someone please help me revive my clubs

BBS Signature

Response to Discouraged Artists’ Support Group 2025-06-02 15:09:05


At 6/2/25 12:54 PM, LilFangs wrote:
At 6/2/25 12:24 PM, Thetageist wrote:
At 5/29/25 05:24 AM, LilFangs wrote:Hope it's okay to butt in, I just feel like I'm stagnating and like art maybe isn't for me? I've been drawing since I was 14 and sure I've improved in those years but it feels like it's not enough? Honestly I don't know if my art is even good at this point, I love to make art but it's like i'm too much of an perfectionist to even enjoy it to the fullest?

To help you figure out the problem: what are you more concerned about, skill/tiny mistakes or making your art look as "good" as other people's is to you?

both perhaps?


For the skill part: Mistakes are human and part of growing. One piece of advice I've seen is to not spend too much time zoomed in on your art, because you'll see mistakes there that won't be seen by someone looking at the full artwork.


And for the comparison: I can honestly relate to seeing a lot of art and feeling like "I want to draw like that and that and that". It's okay to experiment and try to imitate other artists for purely educational purposes so you can learn from them.


Either way I feel like if you focus more on the process of improving and making it enjoyable, rather than the discrepancy between where you are now and where you want to be, it can help motivate you.


I hope this helps, I'm not sure I wrote anything coherent here.


Someone please help me revive my clubs

BBS Signature

Response to Discouraged Artists’ Support Group 2025-06-02 22:43:22


At 5/28/25 01:07 PM, sleepytart wrote:I feel llike im stagnating a bit art wise and my art hasnt been getting much in the way of views anymore. I know I shouldn't do it for views or people liking it or anything like that but its hard not to think that way sometimes you know?


One way to break that mindset: stop making stuff to post online, & do it for yourself for a while. Draw/paint/render/etc. just for yourself for several weeks, a few months, maybe a year if you have to. It will give you a chance to figure out why you're an artist, if you need to.


Pen pusher, brush dragger, wood butcher & usual suspect.


You can check out my stuff in the folders here if you're bored at work.

Response to Discouraged Artists’ Support Group 2025-06-02 22:52:12


At 6/2/25 12:31 PM, Thetageist wrote:
If you're worried about losing your passion with art and becoming some kind of human art machine that makes the same thing over and over, I'd say to keep looking for inspiration and art challenges everywhere. Experiment and imitate everything you see to find things to learn from them. That way, you'll always be adding to your work and taking it in new directions.


Thanks for the good advice. Currently I'm returning to lettering & calligraphy after mostly forgetting about it for well over a decade...been thinking it could be a great design element if used correctly. It's not the kinda thing that gets beaucoup views on NG but, well... Drawing & painting girls gets old after 20+ years. 🤷🏼‍♂️ I'm mostly leaving the figure & cheesecake stuff to the younger artists here.


Pen pusher, brush dragger, wood butcher & usual suspect.


You can check out my stuff in the folders here if you're bored at work.


I wish I could just get my comic done, but nope! Now it feels like a total chore to do!

Istg everytime I open a page's project file I either draw at a snail's pace or I rush it to the point that it looks like ass. And I won't get to drawing the next page until like a month later if I'm lucky.


God I wish I could just draw in a carefree manner without having to deal with the thought of how long it'll take to get the story to an interesting point weighing me down. Like CMON I'M STARVING THE PEOPLE AT THIS POINT!!

I know just how painful it can be to wait until the next issue of a comic comes out. And for what? I'll be done reading the issue in like 15 minutes at most, and then I'm gonna have to wait for another month for the next one to come out.


At least those are on a consistent schedule. Only god knows when mine's coming out GRAHHHHHH

Response to Discouraged Artists’ Support Group 2025-06-04 12:05:29


At 6/3/25 01:19 PM, FunnyPlush wrote:I wish I could just get my comic done, but nope! Now it feels like a total chore to do!
Istg everytime I open a page's project file I either draw at a snail's pace or I rush it to the point that it looks like ass. And I won't get to drawing the next page until like a month later if I'm lucky.

I know just how painful it can be to wait until the next issue of a comic comes out. And for what? I'll be done reading the issue in like 15 minutes at most, and then I'm gonna have to wait for another month for the next one to come out.


High expectations will always lead to frustration or disappointment. Comics are intense because you have to draft panel compositions within panel compositions. Rendering each panel also adds a lot of time and work to making one.

There are many different approaches to making comics, and some of them are more efficient than others. Some people make their comics black & white, not solely because it is an aesthetic choice, but because it gives them more time to draw and focus on the story. Some people forgo drawing elaborate things to focus on writing, and this is common for people who focus on comedy because even if the panels look good, if the comic is supposed to be funny (but isn’t) then you’re screwed. Rendering and adding color is a nice-to-have, but realistically it’s going to take time and effort to bring it somewhere. Adding color tends to be a luxury afforded by publishing or having networks of support that will give you the time and the means to do the work. If you worry about the output being slow, then you either have to cut back or be willing to delegate tasks to bolster productivity. If you’re not willing to make a compromise or cannot make that happen, then you and your audience will have to accept that output will be slow.

To be honest, expectations can be quite off when people are basing their work on production models that aren’t for making comics. “I wanna make a comic that has writing that is as good as this TV show”, but the TV show has a team of like a dozen writers. “I wanna make a comic that looks like this other one”, but it has four people doing writing, sketching, inking and coloring separately OR it was all done by one artist in the span of like 3-5 years.

There’s also the skill aspect. You have to be able to execute something consistently at a steadfast pace, so you have to shorten the amount of time it takes to draw in order to keep up with the breakneck pace of the internet. Some people get around this by simplifying aspects of their work or finding methods that accelerate the drafting process. If you wanna get faster, you should sketch things from observation on a time limit. Ten minutes to fifteen minutes tops drawing entirely separate things to develop your dexterity. Things obviously look bad when you rush them, but in the process of accelerating failure, you’ll be able to troubleshoot what you’re doing wrong and learn to put more focus on the things you actually NEED to convey ideas. I say this because I feel like you have to focus less on making “finished” pieces and more on the visuals conveying the bottom line in a way that feels intentional. Maybe reduce the amount of panels you’re drawing and lean in more on the text, or close in on something so that you don’t have to worry about drawing a characters face if you’re focusing on the eyes. I write all this because I feel like your drawing needs some work, and if you feel like you’re toiling then that is probably an indicator that whatever you’re doing isn’t working for you. Take a step back and think about what needs to change so that you can make things easier for yourself. Suffering always ain’t a panacea for growth.


Response to Discouraged Artists’ Support Group 2025-06-04 12:57:16


At 6/2/25 10:52 PM, ShadenLines wrote:
At 6/2/25 12:31 PM, Thetageist wrote:
If you're worried about losing your passion with art and becoming some kind of human art machine that makes the same thing over and over, I'd say to keep looking for inspiration and art challenges everywhere. Experiment and imitate everything you see to find things to learn from them. That way, you'll always be adding to your work and taking it in new directions.

Thanks for the good advice. Currently I'm returning to lettering & calligraphy after mostly forgetting about it for well over a decade...been thinking it could be a great design element if used correctly. It's not the kinda thing that gets beaucoup views on NG but, well... Drawing & painting girls gets old after 20+ years. 🤷🏼‍♂️ I'm mostly leaving the figure & cheesecake stuff to the younger artists here.


Draw what you want to draw/find interesting. Even if it's a subject that you feel is really common, I'm certain you have your own take on it. Especially as, from what I remember, you're one of the people on here who are really outspoken about having different preferences in art and characters. Channel that if you want to.


Someone please help me revive my clubs

BBS Signature

Response to Discouraged Artists’ Support Group 2025-06-04 13:00:01


At 6/2/25 10:43 PM, ShadenLines wrote:
At 5/28/25 01:07 PM, sleepytart wrote:I feel llike im stagnating a bit art wise and my art hasnt been getting much in the way of views anymore. I know I shouldn't do it for views or people liking it or anything like that but its hard not to think that way sometimes you know?

One way to break that mindset: stop making stuff to post online, & do it for yourself for a while. Draw/paint/render/etc. just for yourself for several weeks, a few months, maybe a year if you have to. It will give you a chance to figure out why you're an artist, if you need to.


I second this. Going on a lot of needed hiatuses and still drawing even when I'm away has helped me with that, I think.


Someone please help me revive my clubs

BBS Signature

Response to Discouraged Artists’ Support Group 2025-06-04 14:25:57


At 6/4/25 12:05 PM, pinmoBOT wrote:High expectations will always lead to frustration or disappointment. Comics are intense because you have to draft panel compositions within panel compositions. Rendering each panel also adds a lot of time and work to making one.
There are many different approaches to making comics, and some of them are more efficient than others. Some people make their comics black & white, not solely because it is an aesthetic choice, but because it gives them more time to draw and focus on the story. Some people forgo drawing elaborate things to focus on writing, and this is common for people who focus on comedy because even if the panels look good, if the comic is supposed to be funny (but isn’t) then you’re screwed. Rendering and adding color is a nice-to-have, but realistically it’s going to take time and effort to bring it somewhere. Adding color tends to be a luxury afforded by publishing or having networks of support that will give you the time and the means to do the work. If you worry about the output being slow, then you either have to cut back or be willing to delegate tasks to bolster productivity. If you’re not willing to make a compromise or cannot make that happen, then you and your audience will have to accept that output will be slow.
To be honest, expectations can be quite off when people are basing their work on production models that aren’t for making comics. “I wanna make a comic that has writing that is as good as this TV show”, but the TV show has a team of like a dozen writers. “I wanna make a comic that looks like this other one”, but it has four people doing writing, sketching, inking and coloring separately OR it was all done by one artist in the span of like 3-5 years.
There’s also the skill aspect. You have to be able to execute something consistently at a steadfast pace, so you have to shorten the amount of time it takes to draw in order to keep up with the breakneck pace of the internet. Some people get around this by simplifying aspects of their work or finding methods that accelerate the drafting process. If you wanna get faster, you should sketch things from observation on a time limit. Ten minutes to fifteen minutes tops drawing entirely separate things to develop your dexterity. Things obviously look bad when you rush them, but in the process of accelerating failure, you’ll be able to troubleshoot what you’re doing wrong and learn to put more focus on the things you actually NEED to convey ideas. I say this because I feel like you have to focus less on making “finished” pieces and more on the visuals conveying the bottom line in a way that feels intentional. Maybe reduce the amount of panels you’re drawing and lean in more on the text, or close in on something so that you don’t have to worry about drawing a characters face if you’re focusing on the eyes. I write all this because I feel like your drawing needs some work, and if you feel like you’re toiling then that is probably an indicator that whatever you’re doing isn’t working for you. Take a step back and think about what needs to change so that you can make things easier for yourself. Suffering always ain’t a panacea for growth.


On the detail forefront, I can't really get any simpler than this.

iu_1407896_9160559.webp

Flat colors and backgrounds, maybe some ligthing for a more detailed panel, and that's it.

For reference I envision this to be an action/character drama comic, so posing is important for more actiony scenes.


And regarding process, there isn't much else I can cut out of it. I'm skipping straight to lineart while tracing/referencing the thumbnails for crying out loud.

iu_1407897_9160559.webp


My main gripe with how long it's been taken is that the whole story is episodic with an (albeit a bit overblown) overarching plotline and arcs.

I still haven't gotten the 1st issue out.

And I also took like 6 months for a prologue and it's been so long since then that with the way the lore is now I had to retcon it into a pilot.


why couldn't I go with an easier profession.

Response to Discouraged Artists’ Support Group 2025-06-04 15:56:07


At 6/4/25 02:25 PM, FunnyPlush wrote:
At 6/4/25 12:05 PM, pinmoBOT wrote:

My main gripe with how long it's been taken is that the whole story is episodic with an (albeit a bit overblown) overarching plotline and arcs.
I still haven't gotten the 1st issue out.
And I also took like 6 months for a prologue and it's been so long since then that with the way the lore is now I had to retcon it into a pilot.

why couldn't I go with an easier profession.


it seems to me like you overscoped. this happens to everyone. in situations like this, most people put larger projects on hold and focus on smaller projects they can feasibly do to get more experience. most artists that do longform comics do shortform comics to work their way up.


to be professional, you have to be able to compete with those who can do it faster and better, and in order to do that you have to work towards their level. if you watch an established webcomic artist draw panels, how does that compare to the techniques, the methods, and process that you are using when drawing panels? what can you do to recreate that? how do you do it better? what are the contingencies?


i know that the more time one puts into a project, the more intertwined it becomes with one's self (which often invites sunk cost feelings). it can be frustrating trying to bridge the gap in knowledge and experience between you and more established artists, but life is often about the journey; not the destination. if you feel uncertain or unprepared, then it is a sign you should probably do something else to at least find something that is within your scope. It is always better to figure out what you're doing than to continue chartering down an uncertain path.

Response to Discouraged Artists’ Support Group 2025-06-05 05:14:39


I'd like to start drawing again, but, since April last year, I haven't really done much actual drawing, and have been procrastinating the lessons I'm taking here.

I really want to continue learning and (hopefully, after I've done the lessons and gained the confidence) start posting stuff that I'm actually proud of, instead of uploading things I later end up deleting anyway, but, I can't seem to get in the proper mood to really start drawing at the moment, and now I'm worried I might have actually lost some serious morale since my last upload.


Ponies and animation. Learning to draw.

Response to Discouraged Artists’ Support Group 2025-06-05 14:46:36


At 6/5/25 05:14 AM, NightfallGloam wrote:I'd like to start drawing again, but, since April last year, I haven't really done much actual drawing, and have been procrastinating the lessons I'm taking here.
I really want to continue learning and (hopefully, after I've done the lessons and gained the confidence) start posting stuff that I'm actually proud of, instead of uploading things I later end up deleting anyway, but, I can't seem to get in the proper mood to really start drawing at the moment, and now I'm worried I might have actually lost some serious morale since my last upload.


Would you mind elaborating as to why you feel unmotivated? Has something occurred since then that is preventing you from carrying on?


Response to Discouraged Artists’ Support Group 2025-06-05 19:37:16


At 6/5/25 02:46 PM, pinmoBOT wrote:
At 6/5/25 05:14 AM, NightfallGloam wrote:I'd like to start drawing again, but, since April last year, I haven't really done much actual drawing, and have been procrastinating the lessons I'm taking here.
I really want to continue learning and (hopefully, after I've done the lessons and gained the confidence) start posting stuff that I'm actually proud of, instead of uploading things I later end up deleting anyway, but, I can't seem to get in the proper mood to really start drawing at the moment, and now I'm worried I might have actually lost some serious morale since my last upload.

Would you mind elaborating as to why you feel unmotivated? Has something occurred since then that is preventing you from carrying on?


I think there are a lot of reasons why I haven't been as motivated (AI, my procrastination habits, not organizing a time in the day that I can dedicate to just drawing literally anything, etc...) but the main thing is that I'm worried I'll end up making the same mistakes again somehow.


I was thinking of creating a thread to document my progress in learning to draw and animate a while back, but that hasn't happened yet.


Ponies and animation. Learning to draw.


At 6/5/25 07:37 PM, NightfallGloam wrote:
At 6/5/25 02:46 PM, pinmoBOT wrote:
At 6/5/25 05:14 AM, NightfallGloam wrote:I was thinking of creating a thread to document my progress in learning to draw and animate a while back, but that hasn't happened yet.


It’s a good idea to do post-mortems of your work to better understand what went wrong. This helps you make a conscious effort to avoid repeating mistakes in the future. I like the term “post-mortem” because it is like studying a cadaver and you’re trying to figure out what went wrong. You run different tests throughout the body and once you figure out what went wrong, you have found the thing you want to avoid doing again and can proceed to find a way to remedy it. Think of it like you’re running experiments and putting things under a microscope to find dead cells. Run tests on composition, line weights, proportion, gesture, perspective, tangents, etc. When you find something is off, find a way to recreate it and make note of what you did. Then try again with a different method until the result changes. “Oh, the eye is not right.” (Proceed to draw variations of eyes to change the result) “The line weights are too heavy” (proceed to draw lines until they are the right weight)

Response to Discouraged Artists’ Support Group 2025-06-08 03:17:16


I always felt like there's more to why I often feel less motivated to

really draw anythin. either I just don't got enough active art friends, or there's times I'll completely be doin less art. tbh trying to set up stories for ocs ain't helping. remembered its gotten to the point I have to erase everything about them and restart. that had happened multiple times.


could provide this sketch to explain how I be feeling latelys..

Nell, an oc who says what has been glued into my mind. comforting perhaps to have them say it than myself.

iu_1409608_8803911.webp

Music I usually listen to helps sometimes to draw things. sometimes it don't and I'll only feel distracted than really draw anything. I'll never understand why i felt more emotions coming from them than myself. dissociation I suppose.

somth I think Nell represents a bit about myself.

Response to Discouraged Artists’ Support Group 2025-06-08 07:22:28


At 9/6/23 08:32 AM, Thetageist wrote:Hello!

I was seeing a lot of threads in this forum related to losing motivation, impostor syndrome, and feeling like you’re not enough as an artist. Considering that a lot of the original posters struggled with the same emotions, I wanted to create one place where all the artists who are struggling can talk to each other and see that they’re not alone in their problems, and the others who have come out the other side of those problems can offer advice to every artist, rather than repeating themselves across different threads.

So please, feel free to vent or to share your experiences and advice. You never know who’s going to need it.


Hello everyone! It's me, EudaemonArts again.


I've done a ton of art within the past two weeks and I've greatly improved my style as I now have practiced some early level yet effective skills with colouring with solid colours and line weight well in traditional art. However, I feel like even though my output quality has doubled, tripled or even more since what was previous, I am now again feeling dissatisfied with my work.


Though I of course have a life outside of art I dedicate plenty of hours daily to practicing my skills. If I have the time to sit down for a few hours, I'll do it. I'm definitely disciplining myself, so it's not a motivation issue in the sense of ethic. Moreso I feel like my art is just simply too flat. Maybe other artists can relate, since your work is your vision and so your vision will come across as normal to you - so you won't be surprised by your work even if it's a great success. Am I pushing myself too much to create still? I feel very comfortable with my pacing though when I'm struggling and I'm trying to teach myself new angles or perspectives it just feels draining. It's like working out, I suppose.


Here's some of my best art as of recent so you can get an idea for my skills:

Flower Boy by EudaemonArts on Newgrounds

YO! Liberty! (Updated) by EudaemonArts on Newgrounds

Liberty’s Alternate Fit! by EudaemonArts on Newgrounds

Jimmy Johnson by EudaemonArts on Newgrounds

Sticker Compilation #1 by EudaemonArts on Newgrounds


I apologise if this seems like spam for being too long. I just want a lot of advice. Not whip-to-back training and critique, I'm seeking guidance and direction. I am totally down for critique just be mindful that I need a soloution that isn't going to be too draining. As of right now, my only solutions are practice fundamentals and test myself daily - so please give me a fresh and unique answer. That's great and all, training constantly and practicing my anatomy, and I am making progress, but it's not really enough to help me catch up to my peers (That being the other users on Newgrounds) It's technically not even been two years since I started my first sketchbook and yet I'm pressuring myself to be as big as legendary indie artists like Speedoru, or like my mangaka idols like Mr. Toriyama.


Whilst I feel like I could make up for the gap - whether it be skill or a weakness in my art style with raw determination and time and ethic, I just don't know why I don't feel like I'm there yet, even if I feel competent and beyond a novice.


Thank you for taking the time to read my message, I hope I can get a lot of help from the Newgrounds team :)

- EudaemonArts


You must believe in the power of HARMONY!

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