At 10/16/11 11:48 PM, Sense-Offender wrote: At 10/16/11 11:48 PM, Sense-Offender wrote: I also remember liking Niel and Jack and Me, but what's the deal with the chorus? "Niel and Jack and me, absent lovers, absent lovers". Uh, is this about a gay love triangle? Not that there's anything wrong with that (hurr Seinfeld).
It's a song written from the perspective of author Beat Jack Kerouac's car. A lot of the Beat songs are influenced by the Beat generation (Sartori in Tangier, Heartbeat named after the novel by Kerouac, etc)
:really? Beat is one of your favorite KC albums?
Yes. I love how the pop elements and progressive elements work together. It isn't too much of one or the other like Three of a Perfect Pair (which was a good album in it's own right)
Those other two are definitely among the best, but do you really like Starless more than Red and Lark's Tongues? I mean, Starless and Bible Black is absolutely amazing, even almost perfect, but I think it's still the weakest of the three Wetton era albums, while Red and Lark's Tongues in Aspic are pretty much equal in mind blowing perfection. I never hear any love for the Talking Drum, which is just so great.
Starless has two great instrumentals (even though the better one was on Red as well, quantity works here. It's also the best of Wetton's vocal outputs to me, every time I listen to "The Night Watch" , it feels ever more magical. There's some really nice surrealist influence's here and there on the album, perhaps not as much as Poseidon, but well executed nonetheless.
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So what do you think of in the Court
Excellent, but it saddens me how it's the most well known of their releases. I do realize it was their big hit album, but theres so much more to KC man.
Poseidon
A small step up from Courts for me.
Thrak
Great release. I need to give it a second listen to be honest. I have alive CD featuring them jamming over a few tracks, Levin is fucking god on it and it has some of Fripp's best soundscaping.
Red
Great, seeing the title track played live is amazing.
Lark's Tongues
Great album, Talking Drum is my fav too.
Power to Believe
Within my top 5. I'm actually willing to say it's my second favorite.
:I think those are also among the best Crimson albums ever, along with Discipline and Starless.
Discipline is my personal favorite, and I'm sure I don't need to explain why. I'm saddens by how much Island and Reptile are overlooked, when they actually are pretty damn good.
high five! They're like the best band ever. Even their worst stuff is still at least decent. I've been meaning to check out the Construkction of Light. I'm pretty sure that's how they spell it, probably because their name can be initialized as "KC", so, the ConstruKCion of Light.
You are correct. By all means check it out. It's a good album, and really has a sense of magic to it. At the very least check out the title track, preferably the Live in 2003 Japan version.
I've also never checked out those Projekct albums.
I've only heard one, and it was pretty damn good. I should check it out more too.
post-punk? I don't hear it. But yeah, it's great. I just wish Levin used that Chapman stick even more. It sounds sick on songs like Elephant Talk and Frame by Frame.
By post-punk I just mean some of the less commercial aspects of what was at the time New Wave. I agree, but you gotta give Trey and his Warr some credit too. The way he taps n' slides sounds robotic, and he really has a good technique down.
The only thing about Adrian Belew era KC is that synth guitar Belew's got going on that sounds like some weird high pitched squeaking. It doesn't sound right.
I think it's one of the defining feature of the music. I always loved hearing Belew go spastic all over Fripp's (need I say fucking difficult, Frame by Frame makes my fingers fall off) arpeggios. Two perfect contradictions.
I think Belew's solo stuff is hit and miss. Some stuff is good, some not so much.
He's way better live. He's a really fun guy.
And the only album of Levin's solo work I've heard is Resonator, which has some cool stuff and some not so cool stuff. I definitely like Break it Down and his cover of the Sabre Dance. However, he's not that good of a vocalist and sometimes he tries to do things with his voice that just don't work.
Check out his latest album, all instrumental, really good tribal like-drumming, heavy moments, soft moments, ambient soundscapes, all you could ever want.
I saw the Three of a Perfect Trio Gig not too long back. I got to see Levin play Stravinsky's Firebired ballet in it's entirety, Belew wipe his face every 5 seconds (he was good though), and see Discipline played nearly in full, along with some Thrak and Red. They (Levin) also played a really rockin' cover of Fripps latest material. Good shit.
I have one album from him, which is Exposure. I haven't listened to it much and I don't remember a lot in particular, but I remember thinking it was pretty good.
That's a good album, but I suggest you check out more. I can't make specific suggestions because, well, it's all good. Of the KC solo projects, I like his the best.
He's a fantastic, unique guitarist, though, so I intend to listen to more of his stuff. I know he's also collaborated with Brian Eno, which is very cool.
Fripp is my absolute favorite guitarist. A free and creative yet strict and structured genius. He's a really big influence on the way I play guitar.
Also, didn't Les Claypool do guest bass for one of Belew's songs?
I think so, can't remember the specific track, though.
Have you ever listened to Bill Bruford's band? It's quite good.
I haven't heard much, but of what I did, it was excellent. He is kinda the guy who introduced me to jazz and polyrhythms.
Also, batman, it's good to see you suggested Parliment/Funkadelic, seeing as I forgot to. Really ignored by Prog lovers for the same reasons they love Prog.