At 3/23/23 03:40 PM, Blaznthekid wrote:At 3/23/23 03:09 PM, StevSteelEn wrote:At 3/22/23 04:52 PM, Blaznthekid wrote:At 3/22/23 02:57 PM, StevSteelEn wrote:what yall do when you cant think of a background?
I usually tend to wing it. For me it can be hard to come up a proper background as I don't really plan things out very well.
Outside of throwing a color as the background I have few 'real' backgrounds in some pieces:
I planned to leave the background a solid pink color, but added some shapes which, to me, helped fill it out more.
https://www.newgrounds.com/art/view/blaznthekid/the-james-randal-special
This was for the secret santa and I usually like to keep things thematic; so christmas/winter was on the brain
https://www.newgrounds.com/art/view/blaznthekid/secret-santa-2022-jetluvzram3n
I am unaware of how a nightclub functions let alone a cyberpunk themed one.
https://www.newgrounds.com/art/view/blaznthekid/cyberpunk-red-j
sometimes i can think of a background mid-draw when im on break. but most of the time i just wing it and it tends to work out in my favor.
Just kinda thinking out loud, but maybe we don't need to think too too hard for backgrounds because the main focus (atleast from what we've shown) is just characters/character design. Minimalist backgrounds can work just as well and be better than over-designing a background to the point where it overshadows the character.
you right, though sometimes the background can give some personality for the character depending on whats the design of them. but me personally, if i want to add a background: i either wing it, or add some shadow if grounded because i am not putting some square box and tilting it and calling it a background (im not calling out those who do it, do it if you want to, i just dont like doing that) but yes minimal background works best.
If we need a detailed background for like a book/comic cover, I think what helps illustrating the setting is that there's already a narrative. If I was making a superhero cover what's the feel? If its heroic the city should be safe or they're saving a civilian, something uplifting. If the situation is dire than maybe there's debris and destruction behind them. I guess think of the backstory of the character you're working on and how you're trying to depict them in this moment, then help it along by making the setting match the mood. If we're just showcasing a character it may not matter as much.
I could also be wrong, but what y'all think?
i dont have much to say about the second point, i do kinda agree though.